New Digital Collection: The Richard V. Correll prints and papers


Richard_V_Correll_in_studio_1953 (1)
Richard Correll in his studio painting Paul Bunyan, a part of a series of paintings created for the Federal Art Project of the WPA, ca. 1938-1940.

The Labor Archives of Washington is excited to announce that the prints and papers of famous West Coast artist, Richard V. Correll, are now viewable (almost) in its entirety, on the UW Libraries Digital Collections site! Consisting primarily of original artwork created by Correll, including a variety of prints, original drawings, and paintings, the collection contains nearly the full body of his work! This collection truly demonstrates the expansiveness of his artistry both in technique and subject matter, encompassing themes of working people, civil rights, and social justice as well as nature scenes, figure drawings, Paul Bunyan, and a scrapbook of holiday cards spanning over 39 years.


Fire Hose/Fight Back, 1971 (linocut print)
“No Wars For Big Oil”, 1979 

In 2012-2013, the Labor Archives spotlighted Correll’s work in the exhibit, Images of Labor and Social Justice: The Art of Richard V. Correll. You can now view a digital version of this exhibit as well as access a web portal to the full digital collection on the Labor Archives of Washington’s Digital Resources Guide. (We even have a portable version of the physical exhibit, enabling us to take Images of Labor and Social Justice on the road!)

Our portable Correll exhibit on display at the WA State Labor Council Convention in July 2017! (Feat. Labor Archivist, Conor Casey, and Assistant Labor Archivist, Crystal Rodgers)

The collection also includes several sketchbooks and audio recordings of an oral history interview with Correll from 1979, to be digitized, as well as books and a small series of paper ephemera, photographs, and other published material about Correll’s life and artwork. Three cd-roms donated to us with the collection contain photographs of Correll as well as additional digital photographs of his prints and illustrations. Want to learn more about the collection in its entirety? Check out the online finding aid on Archives West!

Divers, 1986 (woodcut/collage print)

And if you’d like more background information about this prolific artist, Labor Archivist Conor Casey talks about Correll’s life and work in the May 2013 interview on KUOW and KBCS during the Northwest Folklife Festival as well as July 2016’s “Learn Yourself”, a segment of KSVR Studio’s We Do The Work radio show. Seattle’s weekly publication, the Stranger, also spotlighted the collection in an article published in February 2013!

For any specific questions about the Correll prints and papers or other labor collections at the LAW, contact Labor Archivist Conor Casey! Interested more generally in conducting research at the UW Libraries Special Collections? View our website for more information about hours and how to prepare for your visit!

“Past Forward”: Labor Archives latest exhibit on display at the LERC!


The exhibit I curated for the Harry Bridges Labor Center for Labor Studies and the Washington State Labor Education and Research Center partnership is titled Past Forward: Snapshots of Social Justice Labor Organizing and looks at ten moments throughout the history of labor organizing in the Pacific Northwest. Organized around four progressive issues, the exhibit covers a wide range of both organized labor and labor activists’ social justice victories. To gather the stories that are told in the exhibit, I explored collections suggested by Conor Casey, the Labor Archivist and Director of Labor Archives of Washington, UW Libraries Special Collections; spoke with other labor researchers at the UW; and read up on labor history in our area using resources such as the Seattle Civil Rights & Labor History Project. The exhibit drew heavily on the collections of the Labor Archives. There are so many interesting stories to be told, and I was very excited to be able to highlight one of the earliest multicultural coalitions which fought the anti-miscegenation laws introduced in our state in the 1930s as wells as to bring the exhibit all the way to this year by including the Seattle Womxn’s March in January. Researching, curating, and writing this exhibit has contributed to my education, and it has been truly inspiring to learn about and re-visit the struggles of labor activists around race, gender, wage, and international human rights here in our region. rachel exhibit 3

– Post by Student Curator, Rachel Townsend

You can view the exhibit at the Washington State Labor Education and Research Center, located on the South Seattle College Georgetown campus (6737 Corson Ave. S, Building B, outside of Room 106). 

Help document May 1 marches, strikes, and actions by donating photos, video, signs


The UW Libraries Special Collections and its Labor Archives of Washington are documenting and collecting items from the upcoming May 1, 2017, marches in the Puget Sound region.

We are interested in your:

Photographs and video of signs and crowd scenes. High-resolution files from DSLR cameras are preferred, but they will accept camera phone images. Please review your images and edit out blurry or repetitive images. To make submissions, Email Conor Casey, Labor Archivist, and in the email:

  • In the email title or text, note that submissions are for a labor or labor-related organization and name the organization/banner you marched behind
  • That they are destined for the Labor Archives of Washington’s digital collections.

Labor-related physical signs and flyers used in the march. Email Conor Casey, UW Libraries Labor Archivist Conor Casey, to arrange for delivery pickup of your items.

You will be required to sign a donor form for any materials given to the UW Libraries. This form allows future researchers to use your images or materials in books, documentaries, etc. If you have questions about the donor form or copyright, email Conor Casey.

For general questions, Email Conor Casey, .

New Exhibit- Partners in Discovery: Student Research Employing University of Washington Special Collections

 February 6-April 21, 2017
 University of Washington Libraries Research Commons,
Allen Library South

This exhibit, co-sponsored by the Research Commons and the Labor Archives of Washington, focuses on recent University of Washington graduate student research projects using primary source materials from the University of Washington Libraries Special Collections. Primary sources are materials directly related to a topic by time or participation. These materials include letters, speeches, diaries, newspaper articles from the time, oral history interviews, documents, photographs, artifacts, or other sources that provide firsthand accounts about a person or event.exhibit-research-commons

The innovative research of three graduate students from the departments of History and Geography are highlighted, hinting at the broad topical range of the type of scholarly disciplines that employ the unique materials housed in the UW Libraries Special Collections (located below the Research Commons in the Allen Library South Basement).

Similarly, the Research Commons is a central hub of presenting and supporting student research, offering an array of consulting services for UW students and organizing regular forums for presenting research in the quarterly Scholar’s Studio: an informal forum featuring 10 rapid-fire ignite-style presentations given by graduate students and postdocs doing research on topics related to an interdisciplinary theme.

Student Research Projects Featured:

megan-brownMegan Brown is a Ph.D. Candidate in Geography. Megan’s research interests include the modern labor movement and social movements. Brown’s research “investigates the strategic and practical mechanisms through which labor unions, progressive worker and community organizations, and policy makers are spreading $15/hour minimum wages throughout the U.S.” Labor collections used by Brown for her research and featured in the exhibit include the Guillermo “Memo Rivera” Collection of SEIU 775 and Working Washington records as well as oral histories from the SeaTac Seattle Minimum Wage History Project.

andrewAndrew Hedden is Associate Director of the Harry Bridges Center for Labor Studies and a graduate student in the UW Department of History’s Ph.D. program. His “research explores alternative histories of Seattle that center the experiences of people on the margins of power, documenting the activities and organizations of working-class people and communities of color.” Collections used by Hedden for his research and featured in this exhibit include the Carlos Bulosan papers, the International Association of Machinists and Aerospace Workers, Lodge 751E records, and the Harold J. Gibson Papers.

mahoneyEleanor Mahoney is a Ph.D. Candidate in United States History. Her dissertation examines the connections between economic change and environmental policy in the period after World War II. She has also researched Depression-era art and politics in Washington State. In the exhibit, Mahoney discusses her use of the Richard Correll prints and papers, for her research. Featured in the exhibit are two prints from the famous artist’s Paul Bunyan series, “Clearing Tacoma Flats, 1938” and “Creation of San Juan Islands, 1938” which Mahoney feels “vividly capture not only Correll’s unique style, but also the ethos of much public art created in the 1930s.”

We hope you’ll come by and take some time to peruse the exhibit, perhaps leaving inspired about how you can use the UW Libraries Special Collections and Research Commons for your own scholarly pursuits!


Labor Archives’ Latest Exhibit Features The Art of Richard V. Correll

Images of Labor and Social Justice: The Art of Richard V. Correll
February 1, 2017 – March 31, 2017
Odegaard Undergraduate Library, Second Floor Gallery Display Wall

Back by popular demand as a teaser for an upcoming online exhibit and web archives of the newly-digitized Richard Correll Prints and Papers, the Labor Archives of Washington presents this traveling exhibit in the Odegaard Undergraduate Library. The original exhibit ran in the UW Libraries Special Collections in 2012-2013, and this version was at the Northwest Folklife Festival in May of 2013.

Richard V. (Dick) Correll (1904-1990), was “one of the leading masters of printmaking in the West.” Best known for his powerful black and white linoleum cuts, etchings and woodblock prints, for most of his life he earned a living as a commercial artist in the book publishing and advertising fields while producing a large body of fine art in his own time. Correll’s themes ranged from landscapes, animals and agricultural scenes, harbors and ships, and music and dance to those which reflected his lifelong concern with political and social issues. This exhibit features selections from several core areas of Correll’s collection at the Labor Archives of Washington, University of Washington Libraries Special Collections: Images of labor, social justice, civil rights, anti-war themes, work for the Great Depression-era Federal Art Project of the Works Projects Administration, and his work for the progressive Depression-era newspaper the Voice of Action.

Untitled, [Mother and Two Children], c. 1930s
See the YouTube teaser (Created by the UW Libraries’ own AC Peterson) for the original exhibit here:
Listen to Labor Archivist Conor Casey talk about the exhibit here:

[Work featured at the top is the linocut print, “Cargo Handling in the 1950s”, 1954.]

Final Installment of Everett Massacre Exhibit

Check out the new (and final) addition to the Labor Archives of Washington’s exhibit, “An Injury to One Is an Injury to All”: The Legacy of the 1916 Everett Massacre and the Industrial Workers of the World in the Pacific Northwest, in the Allen Library North Lobby this week to see the additional resources that have been added to this dynamic, rotating, pop-up exhibit!

On Thursday, January 26, the final wave of additional images, interpretive text, and captions highlighting the leaders and members of the Industrial Workers of the World will be installed. The exhibit runs through the end of January.

New sections include:

IWW Organizers in Everett

James P. Thompson and the Free Speech Fights
A founding member and organizer of the Industrial Workers of the World, Thompson spoke in Everett in defiance of a public assembly ban. He and James Rowan (previously arrested for speaking in July), delivered their speeches and were promptly removed from the platform and arrested.

Portrait of James P. Thompson, Industrial Workers of the World Photograph Collection

The Trial of Thomas H. Tracy
Of the 74 IWW members arrested during the Everett Massacre, only Teamster Thomas H. Tracy was tried for the murder of Snohomish County Deputy Jefferson Beard, one of two deputies killed by gunfire during the skirmish. The trial received national attention, covered by journalists from all sides of the political spectrum.

Jack Leonard Miller
Jack Miller, one of the 74 IWW members charged with killing Deputy Beard, was 27 at the time of the Everett tragedy. He was the oldest surviving passenger on the Verona and passed away in 1986. Also featured is a video of a television interview with Miller from the early 1980s recounting his experience of the event.

As a way to make the exhibit more dynamic and augment the existing materials with new content, Labor Archivist Conor Casey and Assistant Labor Archivist Crystal Rodgers have added materials in planned waves throughout the exhibit run. This unique approach to exhibit design creates an anticipatory experience, inviting viewers to frequent the exhibit to view new additions. By providing additional historical context, it also builds onto what viewers have learned from previous visits, enhancing the educational impact of exhibit content.

This exhibit was designed to use surrogates of photographs and documents, ensuring that the originals can be preserved and secured while sharing the information contained in them with a broader public. This enables the archives to host the exhibit at a variety of community venues. Portions of the exhibit have already been displayed at the Pacific Northwest Labor History Association Conference in May of 2016 in Portland, Oregon as well as the Everett Massacre Commemoration Centennial Boat Tour in November 12, 2016 on board the historic steamship the Virginia V. The exhibit is lightweight and portable and mounted on hardware of backdrop frames from a photographer’s studio to facilitate moving it and installing it in diverse venues.

For more information on pop up exhibits and museums, see: Simon, Nina. “A Radical, Simple Formula for Pop-Up Museums” Museum 2.0 blog. November 30, 2011.

Latest Installment of Labor Archives of Washington Exhibit

Check out the latest additions to the Labor Archives of Washington exhibit, “An Injury to One is an Injury to All”: The Legacy of the 1916 Everett Massacre and the Industrial Workers of the World in the Pacific Northwest, on display in the UW Allen Library North Lobby through January 29th! Containing additional ephemera and photographs and interpretive text, this new wave of material highlights the role of women in the Industrial Workers of the World. Selections include items from the IWW Photograph Collection, IWW Seattle Joint Branches Records, Anna Louise Strong Papers, and the Portraits Collection. Among the women featured are journalist and author Anna Louise Strong and skilled orator and radical activist Elizabeth Gurley Flynn, as well as lesser known figures such as “IWW Songbird” Katie Phar, who as a child corresponded with IWW martyr Joe Hill shortly before his execution.

Elizabeth Gurley Flynn addresses striking silk workers in Paterson, New Jersey, June 1913. 

As a way to make the exhibit more dynamic and augment the existing materials with new content, Labor Archivist Conor Casey and Assistant Labor Archivist Crystal Rodgers have added materials in planned waves throughout the exhibit run. This unique approach to exhibit design creates an anticipatory experience, inviting viewers to frequent the exhibit to view new additions. By providing additional historical context, it also builds onto what viewers have learned from previous visits, enhancing the educational impact of exhibit content. For more information on pop-up exhibits and museums, check out Nina Simon’s blog post, “A Radical, Simple Formula for Pop-Up Museums”.

Many of the items featured in this case are also available online within the UW Libraries Digital Collections as well as numerous other digitized items from collections at the Labor Archives of Washington. You can also research Labor Collections and find more information about visiting Special Collections on the UW Libraries website. The Labor Archives of Washington is also on social media, so be sure to like us on Facebook and follow us on Twitter and Instagram. We hope you enjoy the exhibit!